Big Thief

Two Hands

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  • 久草在线新免费福利站99免费视频久草在线新免费观看华尔街之狼怒怼奥马哈先知:巴菲特在骗婴儿的糖果


      曹襄在曹福的腿上踹一腳,曹福就立刻彎腰弓背的跳上車轅,揮揮馬鞭,就驅車遠去。   “以後家里每人每天一顆雞蛋,你跟劉婆加倍,剩下的蛋我去問問阿嬌貴人,她們家能買多少。先去給我拿二十顆雞蛋過來,我做點新東西,拿去請阿嬌貴人嘗嘗。”久草在线新免费福利站   項城抬頭看看高高的穹頂無奈的道︰“利令智昏!”99免费视频   阿嬌低頭瞅瞅自己高聳的胸脯,從一只大鵝狀的羊皮囊上跳下來大聲喊道︰“大長秋!”   “沒道理,只要她們喜歡,干什麼都成,她們要是不喜歡,就會動刀子。”久草在线新免费观看 第一六零章 阿嬌的第一樁生意 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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