Big Thief

Two Hands

  • AllMusic Rating
  • User Ratings (0)
  • Your Rating
  • 久草视频新免费观看久草热久草在线视频午夜福利美最大药店沃尔格林拟关闭200家门店


      從受降城離開的時候是深秋時節,回到長安之後,依舊是深秋時節,兩千多里的距離,讓季節凝固住了。   “怎麼上去的?一言難盡啊。”久草视频新免费观看   到了後來,人們又發現,從同類的手中奪取食物,要比從野獸嘴里的奪食要容易的多。久草热久草在线视频   見衛伉依舊低著頭,就拍拍他的肩膀道︰“不錯,不錯,這段時間很有長進,即便是舅舅來了,也只會夸獎你。” 午夜福利   雲瑯二話不說,抖動韁繩,又開始了新一輪的亡命狂奔。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

    blue highlight denotes track pick