Big Thief

Two Hands

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  • 人人碰人人碰免费视频人人摸涉行贿获免于起诉 李光荣再次“全身而退”

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      閨女已經告訴他們來,她準備計算熱氣球的升力了,那些蠢貨卻硬是往熱氣球拖著的籃筐里堆滿了沙袋。   “舅舅準備在大漢施行郡縣制?”人人碰   “天上沒有雲氏莊園,沒有那些活生生的人,我寧願看家里的婆子們打架,也不願意跟神仙坐在一起喝茶。夫君,我們就在地上生活好不好?”人人碰免费视频   “這些老人是他們臨時選舉的,還是多年以來都是那些人不變?”   在皇帝跟阿嬌的注視下,一個碩大的雪人出現了。人人摸   鐘離遠走進來的時候,張安世正在重新泡濃茶,皇帝的建議又來了,他必須盡快的安排,理出頭緒,明天的時候好讓桑弘羊把事情交代下去。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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