Big Thief

Two Hands

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      楊文通依舊不肯罷休,努力的抬頭看著金日道︰“張公子已經安排好了一切,只要你現在罷手,我們還是可以幫你殺掉渾邪王,只要殺掉渾邪王,他的財物張公子答應分你半成!如此一來,你的族人就能過上好日子。想想啊,在大漢過上好日子是何等的艱難,只要你答應,死一個且靡胥不算什麼。”   皇帝總想要好臣子,同樣的,臣子們也想要一個好皇帝。偷拍国在线手机在线   平叟連連擺手道︰“劉婆不算。”草莓国产视频免费观看 第三十四章 劉徹的膽略   隋越擺擺手道︰“那人已經死了,被某家親手誅殺。平陽侯面前還請君侯遮掩一二。”老司机精品视频   于是,在隋越看完扶荔宮地道之後,雲瑯就邀請隋越喝杯茶。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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