Big Thief

Two Hands

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      等我們不能滿足他們的要求之後,他們就聯合外人來傷害我們。免费国产偷拍a在线视频   然後就走出來,低聲對阿嬌道︰“啟稟貴人,半個時辰之後藥效就會發作,她會再次清醒。”2018在线国产偷拍视频   雲瑯將目光從書本上挪開,從書本上方看了卓姬一眼道︰“你以前不是因為別人彈了一首曲子就跟人跑了嗎?你閨女這麼干,有什麼好奇怪的。”   雲瑯在心中暗自感慨一下,從他進門,劉徹就沒懷好心,前面說的所有話,都是為最後這句話做的鋪墊。日日夜   “是啊,有一個自我強大的過程,也是一個自我治愈的過程,小光現在是病人,你也是。如果你早日厚著臉皮進雲氏,你何至于是某家的小四?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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