Big Thief

Two Hands

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      司馬遷躺在一輛牛車上面,身下是厚厚的毯子,躺在上面如同躺在雲端。   這是皇帝奴僕們共有的一種錯覺。宅男福利社   有了女王,自然就會出現女大臣,女將軍,女戰士!久草在线福利资源站   雲瑯一把扯下臉上的口罩沖著老宦官低聲道︰“如果是我漢家人需要解剖,我們需要他死前親口同意!如果您同意的話,某家不惜一試!”   謝寧興沖沖連蹦帶跳的過了鐵索橋,遠遠地就沖著站在橋頭的李敢揮動手里的文書。久草在线免费视频在线观看   八百騎兵走在草原上僅僅是一個不大的黑點,當霍去病催動烏騅馬爬上一座高坡,天上的烏雲也漸漸的散去,一道光柱透過烏雲的縫隙灑在草原上,而黑馬,黑甲的霍去病,無疑是這片景色中最耀眼的重點。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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