Big Thief

Two Hands

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  • 手机在线观看哥精品国产自在线拍国产情侣偷拍福利视频6600万年前那一天,恐龙遭遇的倒霉事不仅仅是灭绝

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      站在人潮洶涌的大街上,朱買臣笑眯眯的听著南腔北調混雜成的叫賣聲,叫買聲,興致滿滿的從街道這頭走到盡頭,每一個攤子上的貨物他都要仔細的看一看,問一問,有時候甚至還下手購買一些。   雲瑯嘆息一聲道︰“有一些你根本就不知道的事情促使我這樣做。”手机在线观看   霍去病並沒有從雲瑯的脖子上下來,而是怒道︰“既然是你發起來的戰爭,什時候結束要耶耶說了算。”哥精品国产自在线拍   “那就比賽啊!” 国产情侣偷拍福利视频   “看樣子你已經做好了所有準備是嗎?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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