Big Thief

Two Hands

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      “二十日修建不好城門者斬!”   听到伙夫頭子說起疫病,軍漢頭子不知道想起了什麼,雄壯的身子不由得顫抖了一下,抬腿就把身邊的軍漢踹到一邊怒吼道︰“洗手,洗手,賊囚攮的,快洗手!”日本无码不卡高清免费v   “自然不是!”日本阿v片在线播放免费   氐人,羌人這兩個保守奴役的族群,因為兩個巨大的族群在相互作戰,沒有功夫去壓榨他們,從而變得富裕起來了,這在強者眼中,本身就是一種罪過。   雲瑯一把扯下臉上的口罩沖著老宦官低聲道︰“如果是我漢家人需要解剖,我們需要他死前親口同意!如果您同意的話,某家不惜一試!”一级a做爰全过程片   老宦官冷冷的道︰“自然不是!” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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