Big Thief

Two Hands

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  • 日本色情电影日本阿v片在线播放免费日本一级特黄视频播放今日财经TOP10|国庆节后一周刘鹤将率团赴美经贸磋商


      不過,在我們有限的生命里,應該看不到這一天。   老虎大王冷漠的抬起腦袋抖抖身上的塵土,不屑作答。日本色情电影   甦稚壞笑道︰“估計卓姬會感到不舒服。”日本阿v片在线播放免费   老僕見刺史都親自修路了,就不得不參加進來,二十幾個人修路,雖然慢了一些,一天下來,疲憊的司馬相如看著自己修的不足十丈長的一段路,感慨萬千。   即便雲音對錢財沒有什麼概念,當她看到那些幫忙的軍卒跟丫鬟們流露出來的可惜,痛苦的表情,她還是對自己一而再,再三的失誤感到羞恥。日本一级特黄视频播放   平原上傳來一聲虎嘯…… Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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