Big Thief

Two Hands

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    征士王載揚,吟詩以對仗為工,有句雲︰“百五正逢寒食節,十千誰醉美人家?”愛余《滕王閣》詩“阿房有焦土,玉樓無故釘”一聯。湖州徐階五先生《贈沈椒園》詩雲︰“詩派同初白,官情共軟紅。”以沈乃初白先生外孫故也。王亦愛而時時誦之。徐知予于未遇時。記其《關山月》一首雲︰“大牙旗卷夕陽殘,旋見城邊涌玉盤。鼓角無聲霜氣肅,山河流影鏡光寒。白頭漢將佔星立,紅淚胡姬倚馬看。淨掃煙塵天闕迥,清輝多處是長安。”先生名以升,雍正癸卯翰林,官臬使。 陶貞白雲︰“仙人九障,名居一焉。”余不幸負虛名。丁丑過書肆,見有作《金陵懷古》詩者,姓王,名顛客,假余序文。詩既不佳,序亦相稱,余一笑置之。後三年,再過書肆,見《清溪唱酬集》一本,載上海彭金度、碭山汪元琛、太倉畢瀧等,共三十余人;前駢體序,亦假我姓名。詩序俱佳,不能無訝。因買歸,示程魚門。程笑曰︰“名之累人如此。雖然,如魚門之名,求其一假,尚未可得。”後十年,集中王陸提、曹錫辰、徐德諒、範雲鵬四人,都來相見。而諸君子則終未謀面。姑錄數首,以志暗中因緣。範《采菱曲》雲︰“采蓮莫采菱,菱角刺儂手。采菱莫采蓮,蓮心苦儂口。刺手苦儂苦不深,苦口兼欲苦儂心。”汪《金陵雜詩》雲︰“清江一曲鴨頭波,相約湔裙踏淺莎。雙槳月明桃葉渡,但聞人語不聞歌。”日本阿v片在线播放免费 久草在线最新免费播放 在线a久草 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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